The Studio
Everything starts with creativity
When live events stopped, Arthur turned a studio into a broadcast control room. The same instincts now drive every show, set and app he builds: picture it first, then build whatever it takes.
- Virtual productions
- Live
- 3D sets
- Real time
- Custom AI skills
- 60+
- Software stack
- In-house
How it started
- When live events stopped: rented a studio and turned it into a broadcast control room
- Self-taught broadcast-grade streaming: overlays, animated graphics and stingers
- Real-time 3D sets with live cameras moving through them
- Remote guests and performers keyed live into virtual worlds
The toolkit
- vMix: live switching, graphics and streaming for every show
- Unreal Engine: real-time virtual sets for live productions
- Blender: 3D worlds and scenery, including this one
- Claude and Codex: AI partners for code, content and design
- Supabase: the databases behind his apps
- Netlify: deploys for every site and app
What it builds
- The uRequest Live request app and its live leaderboards
- BananaCam AI photo booths and live galleries
- Majority Rules phone voting and game software
- This website: a walkable 3D world built in Blender and three.js
The pandemic studio
When live events stopped, he rented a full studio: multiple cameras and video walls, streamed to remote guests.
Where the music starts
A recording-studio control room: the console, the monitors and the live room behind the glass.
Hand the audience the wheel.
Every room he produces runs on one idea: the guests are part of the show, not an audience for it.
Bring Arthur to your room
Interactive keynotes, live shows and AI builds for your organization.
Next: The Request: uRequest Live: the band the audience controls